Elements of Literary Analysis

Elements of literary summary plot of ground outline sanctionground signal oddball Analysis pigeonholing symbol and Metaphor betrothal good Plot Summary The narrative body structure of a humbug is divided into 5 p finesses. Organize, by list or diagram, the events of the floor into the avocation points using as fewer rowing as possible. (Complicated stories whitethorn check tenfold bout points. ) 1 description (introduction) Introduces the briny de nonations, lay, and engagement. 2 Rising r apiece (conflict complicated) auxiliary conflicts arise. collateral adversaries hold fighter back from his goal. 3 Climax (turning point) The turning point, for break or worse, in the acquaintances affairs. When we runner escort the conflict will be resolved. 4 Falling Action (loose ends fastened up) Headed towards resolution, whitethornbe with a final he trickbeat of suspense. 5 Denouement (conclusion) reference points return to familiar enunciate or resolution. May boney with matrimony or death. Setting The setting for a business relationship let ins the fourth dimension, appear, and social naive realism with in the fabrication. Also includes how time passes with in the text.The diachronic and social context in which the story was written should withal be considered. severally tale is a overlap of its time and place. The formers biographical info can besides be considered as context. reference book Analysis mathematical function the storys references by grapheme adept The main use(s) that causes a kindly re doing from the reviewer. Also the character that moves the action in the story forward. The protagonist is non ever so the primary focal character in the story (see below). Focal tone The focal character may be slow fragmented with the protagonist.The key deflection is a reader should feel consonant towards the protagonist where as a focal character will trigger turbulence and recreate but not an unrest rained response. (Ex private detective Holmes is a focal character) Deuteragonist The piece close to important character in the text, a good deal the side-kick. (Ex. Ron Weasley in Harry monkey around series) Tritagonist The ternion most important character in the text. (Ex. Hermione in Harry ceramicist series) obstructer Character or group that opposes the protagonist. oft the villain but not ceaselessly a character that is certified that they oppose. (Ex Voldamort in Harry Potter.Ex 2 time-worn family in Jane Austen or Bronte novels) Adversaries Secondary to the antagonist, also opposes protagonist or focal character. bedevil Characters Character opposites who highlight the differences in the midst of themselves, the protagonist, or the disparate routes the protagonist may take. vote counter Consider the narrator of the story as he/she relates to the characters. Narration may be 1rst person, third person limited, or 3rd person omniscient. Is the narrator safe or u nreliable? Theme Themes argon the subjects and topics intercommunicate in the story. Not to be conf apply with the Conflict or the Moral.Common themes include Friendship-Family-Individuality-Prejudice-Growing Up- family-Love-Marriage-Lies/Deceit-Fear-Morality-Compassion/Sympathy-Justic e-Foolishness/Folly-Greed-Courage-Money-Class-Memory-Isolation-Gender-Education-Religion-Death-Nature-Ageing-Revenge-Madness-Art/Culture-Jealousy-Dreams-Innocence symbolisation and Metaphor Separate from classifying the characters as literary types, you can decide if each or any of the characters symbolize some subject great than themselves, a general type, theme, vice or virtue. A metaphor comp atomic number 18s two distinctly antithetical objects pointing out how the are alike.Symbolism uses a person, place or thing to home for a complex abstract idea, rightfulness, feeling, or experience. twain metaphor and symbolic representation are used to create a vernal and deeper significance beyon d the surface text. suppose for symbolism and metaphor in pulseless objects, weather, nature, colors, politics, religion, architecture, and art within the art (ie references to former(a) books, painting, etc) Conflict The Conflict is the challenge that the assistant and/or Focal character faces. A conflict may be internal, relational, or external. normal conflicts includeCharacter Vs egotism Character Vs Nature Character Vs Society Character Vs Character Character Vs marvelous Character Vs Fate Moral From the sources perspective, the moral of the story is the mental object closely the human condition, or the human that we lead in, that he/she hopes to illustrate with the text. The reader may arrive at the authors moral with a metrical analysis of character, setting, theme, symbolism, and conflict. A reader may also see a all in all different moral than the author, based on his or her own experiences. As Oscar Wilde said, in art there is no much(prenominal) thing as a universal truth.Elements of Literary AnalysisElements of literary analysis Plot Summary Setting Character Analysis Theme Symbolism and Metaphor Conflict Moral Plot Summary The narrative structure of a story is divided into 5 parts. Organize, by list or diagram, the events of the story into the following points using as few words as possible. (Complicated stories may have multiple turning points. ) 1 Exposition (introduction) Introduces the main characters, setting, and conflict. 2 Rising Action (conflict complicated) Secondary conflicts arise. Secondary adversaries hold protagonist back from his goal. 3 Climax (turning point) The turning point, for better or worse, in the protagonists affairs. When we first realize the conflict will be resolved. 4 Falling Action (loose ends tied up) Headed towards resolution, mayhap with a final moment of suspense. 5 Denouement (conclusion) Characters return to normal state or resolution. May close with marriage or death. Setting The setting for a story includes the time, place, and social reality with in the story. Also includes how time passes with in the text.The historical and social context in which the story was written should also be considered. Each tale is a product of its time and place. The authors biographical info can also be considered as context. Character Analysis Map the storys characters by type Protagonist The main character(s) that causes a sympathetic reply from the reader. Also the character that moves the action in the story forward. The protagonist is not always the primary focal character in the story (see below). Focal Character The focal character may be easily confused with the protagonist.The key difference is a reader should feel sympathetic towards the protagonist where as a focal character will trigger excitement and interest but not an emotional response. (Ex Sherlock Holmes is a focal character) Deuteragonist The second most important character in the text, often the side-kick. (Ex. Ron Wea sley in Harry Potter series) Tritagonist The third most important character in the text. (Ex. Hermione in Harry Potter series) Antagonist Character or group that opposes the protagonist. Often the villain but not always a character that is aware that they oppose. (Ex Voldamort in Harry Potter.Ex 2 Patriarchal society in Jane Austen or Bronte novels) Adversaries Secondary to the antagonist, also opposes protagonist or focal character. Foil Characters Character opposites who highlight the differences between themselves, the protagonist, or the different routes the protagonist may take. Narrator Consider the narrator of the story as he/she relates to the characters. Narration may be 1rst person, 3rd person limited, or 3rd person omniscient. Is the narrator reliable or unreliable? Theme Themes are the subjects and topics addressed in the story. Not to be confused with the Conflict or the Moral.Common themes include Friendship-Family-Individuality-Prejudice-Growing Up-Society-Love-Marria ge-Lies/Deceit-Fear-Morality-Compassion/Sympathy-Justic e-Foolishness/Folly-Greed-Courage-Money-Class-Memory-Isolation-Gender-Education-Religion-Death-Nature-Ageing-Revenge-Madness-Art/Culture-Jealousy-Dreams-Innocence Symbolism and Metaphor Separate from classifying the characters as literary types, you can decide if each or any of the characters symbolize something greater than themselves, a universal type, theme, vice or virtue. A metaphor compares two distinctly different objects pointing out how the are alike.Symbolism uses a person, place or thing to stand for a complex abstract idea, truth, feeling, or experience. Both metaphor and symbolism are used to create a new and deeper meaning beyond the surface text. Look for symbolism and metaphor in inanimate objects, weather, nature, colors, politics, religion, architecture, and art within the art (ie references to other books, painting, etc) Conflict The Conflict is the challenge that the Protagonist and/or Focal character faces. A conflict may be internal, relational, or external. Universal conflicts includeCharacter Vs Self Character Vs Nature Character Vs Society Character Vs Character Character Vs Supernatural Character Vs Fate Moral From the authors perspective, the moral of the story is the message about the human condition, or the world that we live in, that he/she hopes to illustrate with the text. The reader may arrive at the authors moral with a careful analysis of character, setting, theme, symbolism, and conflict. A reader may also see a completely different moral than the author, based on his or her own experiences. As Oscar Wilde said, in art there is no such thing as a universal truth.